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As long the option is checked, PIP will automatically be applied to each new clip that you drag onto the overlay track, using the same settings that were displayed the last time the tool was open. The dial-shaped shadow-angle control gives you eight choices for the placement of the shadow relative to the frame.Įnable picture-in-picture: This checkbox allows you to turn the PIP effect on and off.Īpply to new clips: This option is handy when you want to set up the same PIP settings for a number of different clips. Set the width (using the Distance slider) to zero if you don’t want a shadow to appear. Shadow: These controls set the color, width, angle and transparency of the drop shadow effect that gives the illusion of the overlay frame floating above the background video. Check the Rounded corners box if you want to round off the corners of the PIP rectangle. Move the slider left for a hard edge, or right to blend the border with the background video. The Softness slider controls the amount of blurring on the outside edge of the border. Set the width to zero (slider all the way to the left) if you don’t want a border at all. Moving the slider to the right makes the overlay, with its border and shadow, increasingly transparent.īorder: These controls set the color, width and transparency of the border that will be drawn around the overlay frame. Transparency: Use this slider if you want the underlying video to show through the overlay itself. You can choose a preset as a first approximation to your desired settings, then adjust them manually until you get exactly what you want. Presets: Choose a preset name to set up all the PIP controls at once to the predetermined values associated with that name. The PIP tool in Scale (L) and Crop (R) modes.
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Outside the visible area, the frame is semi-transparent, letting the checked pattern show through.Īs in Scale mode, the side control points allow for free adjustment of the crop rectangle, whereas the corner control points preserve its aspect ratio. The rectangle defined by the control points shows which portion of the frame is visible.
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The layout area has two modes, selected by the Scale and Crop radio buttons. The adjustments that you make are reflected in the Player preview as you work. Most of the left-hand side of the PIP tool is taken up with an interactive layout area where you can both view and modify the dimensions, placement and cropping of the overlay video. Click the Chroma Key tab at the top of the tool to switch. This illustration shows the PIP side of the tool. Because they are used independently, we treat them as separate tools. The Picture-in-picture and Chroma key (PIP/CK) tool is really two tools in one. We usually refer to the two aspects of the tool separately as the Picture-in-picture and the Chroma key tools.
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It is the seventh tool in the Movie Window’s video toolbox. With the clips in place, select the foreground clip and open the Picture-in-picture and Chroma key (PIP/CK) tool. Note: If you are planning a split-screen effect, like the one shown at right in the illustration above, it doesn’t matter which of the two clips goes on which track. The foreground clip – the PIP clip – goes on the overlay track underneath the main clip. Drop the clips you want for background video onto the video track. To use picture-in-picture, start in the usual way by dragging some video clips onto the Movie Window Timeline. Split-screen effects, like the vertical split at right, are among the variations that show off the versatility of the PIP tool.
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Picture-in-picture with optional border, shadow and rounded corners (left).
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Picture-in-picture (often abbreviated to “PIP”) – the inclusion of an additional video frame within the main video – is a versatile effect familiar from its use in professional TV productions.